• Poem as a Journal

    Issue No. 7, Spring/Summer 2024
    Guest Editor  Jean-Max Colard

    Editor  Kotryna Lingienė, Louise Brunner

    English Language Editor  Gemma Lloyd

    Issue Design  Miglė Rudaitytė-Černiauskienė, Vita Paulinė
    The seventh edition is guest edited by the art critic, curator, literator, and dreamer Jean-Max Colard from Centre Pompidou in Paris. This issue is as a kind of inquiry into the place that poetry occupies today in contemporary creation, and more broadly in our lives. Jean-Max is struck by the presence of poetry, particularly among the younger generation, on social networks, and especially in the art world. With his collaborator Louise Brunner, they played with the title of the magazine to compare the poem form with other fields: poem as a journal, as a movie, as an exhibition, as sex, as itself, but not as war.
    The seventh edition is guest edited by the art critic, curator, literator, and dreamer Jean-Max Colard from Centre Pompidou in Paris. This issue is as a kind of inquiry into the place that poetry occupies today in contemporary creation, and more broadly in our lives. Jean-Max is struck by the presence of poetry, particularly among the younger generation, on social networks, and especially in the art world. With his collaborator Louise Brunner, they played with the title of the magazine to compare the poem form with other fields: poem as a journal, as a movie, as an exhibition, as sex, as itself, but not as war.

    Editorial
    Jean-Max Colard

    JOURNAL AS A POEM

    Journal of a Xenopoet
    Babi Badalov

    POEM AS A DIARY

    december
    Simon Johanin

    alive: writing, time, world
    Christine Herzer

    POEM AS A POEM

    Dog ears
    Erica Baum

    notes on poetry
    Cia Rinne

    FEBERDIKT
    Ida Ekdblad

    POEM AS?

    What is Poetry for You Today?

    Jean D’Amérique, Pedro Barateiro, Anton Bialas, Belinda Cannone, Barbara Chase-Riboud, Chris Cyrille-Isaac, Liliane Giraudon, Thomas Hirschhorn, Simon Johannin, Nikita Kadan, Ian Kiaer, Kamilya Kuspanova, Quinn Latimer, Raimundas Malašauskas, Elena Narbutaitė, Makenzy Orcel, Rachel Rose, John Jefferson Selve, Noah Truong, Oscar Tuazon.

    EXHIBITION AS A POEM

    Fragments: poems
    Ian Kiaer

    We are not here to make do with what exists. (Adventures of an exhibition)
    Christian Bernard

    Facts and Words
    Elena Narbutaitė

    SEX AS A POEM

    On Tracey Emin: ‘Everything Has Come Through Me’
    Louise Brunner

    I ♥ Jack Pierson

    FILM AS A POEM

    Metres
    Enrico Camporesi

    Jonas Mekas as a Poet
    Pip Chodorov

    EARTH AS A POEM

    A Constellation of Blackness
    Josèfa Ntjam

    The Poet II
    Quinn Latimer

    Does of the Granddaughter: I wish Two Kidneys Upon Thee
    Vaiva Grainytė

    WAR NOT AS A POEM

    The War
    Jean-Michel Espitallier

    On Maxym Kryvtsov, a Poet at War
    Bogdana Romantsova

     

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  • Other as a Journal

    Issue No. 6, Autumn/Winter 2023
    Guest Editor Viktoras Bachmetjevas
    Editor  Kotryna Lingienė
    English Language Editor  Gemma Lloyd
    Issue Design Jurgis Griškevičius
    The issue explores the origins of otherness as a counterpoint to identity and will reflect on various meanings of Other: the other person as a source of moral responsibility in moral philosophy, the other as a threat in migration politics, the other as a non-human being (animal, but also alien), the other within the human body – both as an organism (viruses, bacteria, etc.) and a voice (demons, conscience, etc.). The issue’s guest editor Viktoras Bachmetjevas is a philosopher with an interest in ethics, and specifically the thoughts of Emmanuel Lévinas and Søren Kierkegaard. 
    The issue explores the origins of otherness as a counterpoint to identity and will reflect on various meanings of Other: the other person as a source of moral responsibility in moral philosophy, the other as a threat in migration politics, the other as a non-human being (animal, but also alien), the other within the human body – both as an organism (viruses, bacteria, etc.) and a voice (demons, conscience, etc.). The issue’s guest editor Viktoras Bachmetjevas is a philosopher with an interest in ethics, and specifically the thoughts of Emmanuel Lévinas and Søren Kierkegaard. 

    Editorial
    Viktoras Bachmetjevas

    Myself  as the Other: Schutz and Gurwitsch on Strangers, Refugees and Homecomers
    Saulius Geniušas

    The Unintentional (Therefore, Even Sadder) Increased of Othering of the Other in Paris is Burning
    Genna Rivieccio

    Producing the Unsayable: On the Future of the Love of Language
    Clayton Bohnet

    The Others of Emmanuel Levinas
    Viktoras Bachmetjevas

    Me, My Hearing Aid, and the Audio World
    Žygimantas Menčenkovas

    Toward Xenopolis
    Krzysztof Czyżewski

    Otherness and Ontology of Luck Among Animist People
    Donatas Brandišauskas

    The Angelology Professor (A Short Story)
    Gintaras Beresnevičius

    And How Does the Fungus Feel About This?
    Kotryna Lingienė talks to Šarūnas Petrauskas

    I See Them Passing By
    Artūras Morozovas

    The Resurrected Wife
    An anonymous, early twentieth-century story written in Azeri Turkish, translated and commented by David Selim Sayers

    Welcoming the Unknown
    David F. Hoinski

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  • Memory as a Journal

    Issue No. 5, Spring/Summer 2023
    Guest Editor Daiva Price
    Editor  Kotryna Lingienė
    English Language Editor  Gemma Lloyd
    Issue Design Kristina Alijošiūtė

     
    We live in a world of 'memory wars'. A world in which there is a constant struggle for the right to remember, for the right to one's history, to one's memories, to one's identity. The guest editor of this issue is art historian and curator Dr. Daiva Price. In Memory as a Journal the curator asks: how do we talk about history when the present is in competition with the past? How can we talk about Second World War when the War in Ukraine is happening now? How should we remember when memory is traumatic?
    We live in a world of 'memory wars'. A world in which there is a constant struggle for the right to remember, for the right to one's history, to one's memories, to one's identity. The guest editor of this issue is art historian and curator Dr. Daiva Price. In Memory as a Journal the curator asks: how do we talk about history when the present is in competition with the past? How can we talk about Second World War when the War in Ukraine is happening now? How should we remember when memory is traumatic?

    Editorial. Memory in the Shadow of Crumbling Empires
    Daiva Price

    Competing Memories

    Memory Against the National Grain
    Prof. James E. Young

    A Week in August
    Manca Bajec, drawings by Vesta Kroese

    ‘… Without Being Able to Remember, They Cannot Heal.’
    Linara Dovydaitytė

     

    Drawings
    Mindaugas Lukošaitis

    ‘(1944-1991’)
    Indrė Šerpytytė

    Memory in the Clash of Past and Present

    Balancing History in the Course of Time
    Robert van Voren

    Remembering so as to Forget
    Kotryna Lingienė talks with Mindaugas Lukošaitis

    Memory as Trauma

    On Traumatic Memory and its Consequenses
    Daiva Price talks with Prof. Danutė Gailienė and Robert van Voren

    Reverse Memory Engineering by Michael Shubitz
    Kotryna Lingienė

    Utilising Unprocessed Collective Traumas: Russian Hybrid Warfare Against Georgia
    Jana D. Javakhishivili

    Drawings
    Alevtina Kakhidze

    Projects
    Jenny Kagan

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  • Body as a Journal

    Issue No. 4, Autumn/Winter 2022
    Guest Editor Neringa Černiauskaitė
    Editor  Kotryna Lingienė
    English Language Editor  Gemma Lloyd
    Issue Design Vytautas Volbekas

     
    Limited in space, bodies are immense in their potentiality. Today, in the face of a crisis – ecological, military, economic and social – it is their vulnerability that defines them most. Guest edited by Neringa Černiauskaitė, a writer, curator and one half of the artistic duo Pakui Hardware, the issue scrutinizes vulnerability in order to show that it is often evoked by systemic flaws rather than personal failures. At the same time, vulnerability is not treated here as something to be anxious about, but as a tool for building community, for transforming rigid structures, for bringing the flesh into theory, and to open up oneself to the other.
    Limited in space, bodies are immense in their potentiality. Today, in the face of a crisis – ecological, military, economic and social – it is their vulnerability that defines them most. Guest edited by Neringa Černiauskaitė, a writer, curator and one half of the artistic duo Pakui Hardware, the issue scrutinizes vulnerability in order to show that it is often evoked by systemic flaws rather than personal failures. At the same time, vulnerability is not treated here as something to be anxious about, but as a tool for building community, for transforming rigid structures, for bringing the flesh into theory, and to open up oneself to the other.

    Editorial
    Neringa Černiauskaitė

    The Land is Burning And So Are We
    Agnė Bagdžiūnaitė in Conversation with Rupa Marya

    Waiting for the Gastroenterologist
    Vaiva Grainytė

    X-Rays of Our Society:
    Marija Teresė Rožanskaitė and Pakui Hardware by Inga Lāce

    Roots 
    Monika Kalin

    The Double Logic of the Accident
    Catherine Malabou in coversation with Kristupas Sabolius

    Catharsis of Gaze
    Gabrielė Gervickaitė and Jurga Jonutytė

    At a Loss for Words
    Agnė Jokšė

    Virgilijus Šonta’s Photographic Worlds of Non-Normative Disobedience
    Adomas Narkevičius

    The Tendreness of a Humble
    On Two Pieces of Choreography by Anna-Marija Adomaitytė by Eric Vautrin

    Deep Cuts, Chemicals and Climate: an Interview with Stacy Alaimo
    Jennifer Teets

    Collective Body and Ego Death: Dorota Gawęda and Eglė Kulbokaitė
    Alice Bucknell

    Brutal Poetics of Dizzinformation
    Valentinas Klimašauskas

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  • Soundscapes as a Journal

    Issue No. 3, Spring/Summer 2022
    Guest Editor Damian Lentini
    Editor  Kotryna Lingienė
    English Language Editor  Gemma Lloyd
    Issue Design Ugnė Balčiūnaitė
    The third issue is dedicated to sound: as art; as vibrations in space; and as a constituent component of our experience of the world around us. Guest edited by Damian Lentini, the edition probes sound's ability to shape and generate effects. Soundscapes as a Journal invites leading artists, writers and scholars to investigate sound's ability to shift back and forth across times and spaces; incorporating traditional and contemporary positions, digital and analogue technologies, as well as that which emanates from both organic and inanimate bodies.
    The third issue is dedicated to sound: as art; as vibrations in space; and as a constituent component of our experience of the world around us. Guest edited by Damian Lentini, the edition probes sound's ability to shape and generate effects. Soundscapes as a Journal invites leading artists, writers and scholars to investigate sound's ability to shift back and forth across times and spaces; incorporating traditional and contemporary positions, digital and analogue technologies, as well as that which emanates from both organic and inanimate bodies.

    Editorial
    Damian Lentini

    A Cloud Has a Shadow
    Daina Pupkevičiūtė

    An Epitaph for a Fakir of Lithuanian Music
    Jūratė Katinaitė

    The World is Here for You
    Daniel Oberhaus

    On the Enduring (Mythic) legacy of Twentytwentyone
    Damian Lentini Interviews Arturas Bumšteinas

    The Loop
    Simona Žemaitytė

    Fallen Light
    Anton Lukoszevieze

    Lithuanian Soundscapes
    Andrej Vasilenko

    I Was Thinking About What You Said
    Radvilė Buivydienė interviews Guy Dubious

    Post-Soviet Gendered Soundscapes: Lithuania
    Sandra Kazlauskaitė

    The Contours of Paranormal Music in  Lithuania
    Domininkas Kunčinas

    A Compilation of Lithuanian Sound Art
    Curated by Eye Gymnastics

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  • Cosmos as a Journal

    Issue No. 2, Autumn/Winter 2021
    Guest Editor  Julijonas Urbonas
    Editor  Kotryna Lingienė
    English Language Editor  Gemma Lloyd
    Issue Design  Gailė Pranckūnaitė
    In the second issue of * as a Journal, the asterisk is replaced by the word ‘cosmos’. The guest editor Julijonas Urbonas, whose Lithuanian Space Agency represented Lithuania at the 17th International Architecture Exhibition, La Biennale di Venezia, invites readers to leave the ground and delve into the space above our heads. How does it read, feel, taste, and sound? Catapulted up there, our reach and imagination are confronted with the hostility of outer space – otherworldliness at its most acute. The Cosmos issue looks into how we can attune imagination to such a departure from our terrestrial origins.
    In the second issue of * as a Journal, the asterisk is replaced by the word ‘cosmos’. The guest editor Julijonas Urbonas, whose Lithuanian Space Agency represented Lithuania at the 17th International Architecture Exhibition, La Biennale di Venezia, invites readers to leave the ground and delve into the space above our heads. How does it read, feel, taste, and sound? Catapulted up there, our reach and imagination are confronted with the hostility of outer space – otherworldliness at its most acute. The Cosmos issue looks into how we can attune imagination to such a departure from our terrestrial origins.

    The Very First Space Programme of the Lithuanian Space Agency: A Planet Made of Human Bodies
    Julijonas Urbonas

    Julijonas Urbonas and Gailė Griciūtė talk about their Collaboration on Extraterrestrial Sound

    Comet Composition/Alien Materiality: Resilience, Attunement, and our Sonic Imagination
    Daniel Gilfillan

    Otherworldly Journeys
    Nahum

    On Extraterrestrial Relativism
    Daniel Oberhaus

    United in a Common Vertigo
    Rob La Frenais interviews Kitsou Dubois

    Intimacies with(in) the Space Station
    Eleanor S. Armstrong and Akvilė Terminaitė

    Whale Space, or, The Killers in Eden
    Fred Scharmen

    Concept of Creation in Lithuanian Mythology
    Radvilė Racėnaitė

    On how the Tree Became a Pellet: Capital Forests of the Baltics
    Signe Pelne

    The Curious Case of Lithuanian Astrobotany
    Goda Raibytė inteviews Danguolė Švegždienė

    Stranger than Fiction: the Reality and Fantasy of Eating in Space
    Jane Levi

    The Whiffing Particle
    Milda Dainovskytė

     

    The Space Rose: How the Sense of Smell Mediates Human Futures in the Cosmos
    Claire Isabel Webb

    Unrealised Cosmic art

    The Ends of Everythings Andy Gracie

    Quintillion Years – Emilio Chapela

    MDRS – Joseph Popper

    True Moonshine – Julijonas Urbonas

    Tour de Moon – Nelly Ben Hayoun Stépanian

    There is No Such Thing as Empty Space – Nicole L’Huillier

    Sightseer – Sitraka Rakotoniaina

    Terra Nullius – Xin Liu

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  • Forest As A Journal

    Forest as a Journal

    Issue No.1, Spring/Summer 2021
    Guest Editors
    Jurga Daubaraitė
    Jonas Žukauskas
    Editor
    Kotryna Lingienė
    English Language Editor
    Gemma Lloyd
    Issue Design
    Gailė Pranckūnaitė
    This first issue of * as a Journal, focuses on Forest. Forest as a constructed space unavoidably reliant on human actions, no longer nature, but infrastructure; an environment of natural systems governed, exploited, and regulated by human interventions, technologies, industries, institutions and agencies. How can cultural practices enhance the optics through which society senses a forest?
    This first issue of * as a Journal, focuses on Forest. Forest as a constructed space unavoidably reliant on human actions, no longer nature, but infrastructure; an environment of natural systems governed, exploited, and regulated by human interventions, technologies, industries, institutions and agencies. How can cultural practices enhance the optics through which society senses a forest?

    Neringa Forest 
    Jochen Lempert

    Thinking Things Through a Forest
    A conversation with Nene Tsuboi and Tuomas Toivonen by Jonas Žakaitis

    A Forest’s Drive for Motion: Acoustic Ecologies and the Sonicity of Labour
    Sofia Lemos

    The Right not to be Offsetted
    Interview with Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) by Jurga Daubaraitė and Jonas Žukauskas

    On Forest and Time
    Gabrielė Grigorjeva

    Infra-Baltic Landscapes
    Jonathan Lovekin and David Grandorge

    Cormorants in Ancient Woods
    A conversation between Rugilė Barzdžiukaitė and Mindaugas Survila

    On how the Tree Became a Pellet: Capital Forests of the Baltics
    Signe Pelne

    On Forest Walking and Ecologies of Care
    Agata Marzecova

    Songs From the Compost: Notes on Symbiotic Relationality and Eglė Budvytytė’s Lichenous Poetics
    Amelia Groom

    The Grammar of Lichens
    Aistė Ambrazevičiūtė

    A Forest is Like a City – With its own Streets, Squares and Different Land Uses
    Interview with Laura Garbštienė and Onutė Grigaitė by Jurga Daubaraitė and Jonas Žukauskas

    The Timber Couturier
    Kotryna Lingienė and Rasa Juškevičiūtė

    For Potato Peel
    Monika Janulevičiūtė

    Neringa Forest Architecture
    Egija Inzule, Jurga Daubaraitė and Jonas Žukauskas

    Forest Paintings by Algirdas Šeškus
    Virginija Janulevičiūtė

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